narayana games

Factsheet

Developer:
narayana games
Based in Munich, Germany

Release date:
5 April, 2016

Platforms:
Steam / HTC Vive / Oculus Rift + Touch

Website:
holodance-vr.com

Regular Price:

Description

Holodance is a Virtual Reality Rhythm Game Holodance that has a group of dragons returning to planet Earth to remind us, the human species, of our duty of care for the planet and the responsibility for our own future. In its upcoming collaborative multiplayer mode, Holodance gives players working together internationally a bonus – and during development, we also worked with talented people from Turkey, USA, Canada, Brazil, Great Britain, France, The Netherlands, Russia, Belarus and China (24 people from 10 different countries). Due to requests by players we have added support for osu!-beatmaps and turned what was originally planned as two episodes into a single game with both a "story-mode" that still has the dragons and a "free mode" that lets players pick any of the environments we had created for the story as well as several additional environments, to eventually play with any music they like (osu!-beatmaps support is just the first step towards that direction). Holodance is still in Early Access, with new versions released usually every one or two weeks.

History

Holodance was initially inspired by a project at Shayla Games VR Jam 2015, called E-Motion, that used Razer Hydra and Oculus DK2 for players to "catch orbs" to the rhythm of the music. While E-Motion was never developed into a full game, it did remind me that I always wanted to create a musical, rhythmic, interactive VR experience that would let players "experience" the music on all possible senses. So with the hardware I had available at that time (also Razer Hydra and Oculus DK2), I started prototyping and released the first video on Vimeo on July 16th, 2015.

While working with Razer Hydra and DK2 was certainly better than having no VR hardware at all, the limited tracking area of DK2, and the very imprecise tracking of Razer Hydra made developing and playtesting the actual gameplay quite a challenge. Fortunately, Julie Heyde (who had organized Shayla Games VR games) mentioned that devs could come to their office and use their Vive development kit, if needed. I needed, so end of July 2015, I travelled to Copenhagen with my dev machine, and those few days enabled a huge leap in development progress!

With fairly limited art-skills, it was clear from the beginning that I need artist support. That's how Samuel Hajek joined in, who previously was just an acquaintance of a friend and since then has become both colleague and friend. Efe Tozan contacted me and asked if he could contribute music when he read about the game (I had posted a lot of updated and videos in various locations). That's when the time started becoming international and knowing Efe later also gave me a first-hand account of how people in Turkey felt about the events surrounding the attempted coup. I also commissioned Anne Stokes for a painting of the dragon you meet in the final level of the game and step by step, the game turned into an interational project with people from all almost parts of the world. Check out the credits for the full details.

Finally, in November 2015, I received my own Vive Development Kit and development gained real momentum. At that time, we still thought the Vive would be released end of the year and I probably was not the only developer feeling a bit of relief when that got delayed. We spent the time both working hard on finishing the game and going to Virtual Reality meetups and events to show the current state of the game to players, watch where they struggled and collected plenty of feedback, which resulted in a lot of features we wouldn't have had otherwise (like highfiving, fistbumping or tickling a dragon). Finally, on April 5th, 2016, the same day the first Vives were delivered to players, we went into Early Access.

Early on, we received player feedback asking to support osu! and StepMania beatmaps. Initially, the idea was to put this into a second game, called Holodance Episode 2: Modding the Industry which would have also brought our own beatmap editor and basic environment editing features. However, over time, it became clear that building our story-mode actually takes much more time and money while at the same time turning off a significant fraction of rhythm game players (story mode also has fans, including myself, but the significant increase in sales after we added free mode speak a very clear language). So, it's fair to say I put things in the wrong order. As a result, we currently focus very heavy on features that were originally planned for Episode 2, while progress on completing the story is fairly slow. And, instead of having two games, we put it all into one.

Features

• All gameplay is perfectly timed with the music
• Various mechanics: Catching orbs, following Sliders
• Almost 20 beautiful environments to play in
• Combo multipliers and various events based on your performance
• Story mode with built-in music
• Free mode with osu!-beatmap support (this gives you access to about 12,000 songs, 55,000 beatmaps)
• Achievements and Leaderboards
• Currently in development: Our own in-VR beatmap editor so you can play any song you have as MP3

Holodance Credits

Jashan Chittesh, Munich, Germany (Website)
Game-Design, programming, set-design, project-management, marketing, community-management, some music remixing

Mirimah Münch, Munich, Germany
Producer, Voice-Acting Level 12

Samuel Hajek, Freyung, Germany (Website)
Art direction, modeling, texturing and animating all the dragons, concept art for the levels

Hrishikesh Varaskar, Mumbai, India (Website)
Art direction, modeling, color-theming

Discookie, Székesfehérvár, Hungary (Website)
Procedural Mapping Waveform Wizard

Antonia Schaller, Cambridge, UK (Website)
Marketing, 2D artist, user interface design, animation

Miguelangelo Rosario, Berlin, Germany (Website)
Environment Design: Mutant Club

Jon Halliday, Manchester, Connecticut, US (Website)
Realtime Audio Particle Effects (Environment: Retro Clubbing)

Adrien Laurent, Javené, France
Additional Game-Design and Programming, Quality Assurance

Anne Stokes, Leeds, Yorkshire, England (Website)
Concept Art for the Blue Mother of All Dragons (who appears in Level 12)

Sheldon Song, Shanghai, China
Set-design for Levels 1, 3, 6 and 7

Yuki Hoo, Shanghai, China
Set-design for Levels 1, 3, 6 and 7

Alexey Saveliev aka Almgp from Dno, Pskov Oblast, Russia
Set-design for Levels 5 and 9

Hiren Shah, Mumbai, India
Character Animation Polishing Levels 1, 2 and 3

Margarita Kazakova for Astermann, Minsk, Belarus
Character Animation Production Pritvitej, Level 5

Roy van Doorn, Netherlands
Set-design for Level 10

Ben Baures, Denver, United States
Copy Editing (store pages, words of the dragons) ... he started as a player, wrote an epic review and thus, become our Wizard of Words. We were not able to verify his true identity, yet, so he may very well be a dragon in disguise.

Peter Baker, United Kingdom (Website)
Voice Acting for Pritvitej, the land dragon (who appears in Levels 1, 5, 9 and 11)

Vincent Planchon, France
Voice Acting for Vayusah, the air dragon (who appears in Levels 2, 4 and 8)

Frazer Blaxland, United Kingdom (Website)
Voice Acting for Apastarrr, the water dragon (who appears in Levels 3, 6 and 7)

Maestro Billy; DJ, Musical Producer and Sound Designer; São Paulo, Brazil (Website)
Main Song for Level 1: "Caipirinha"

Sheipz; DJ and Musical Producer; Cuiabá, Brazil (Website)
Main Song for Level 1: "Caipirinha" (Remixing)

Evangelos (Vango) Stavrakakis, Munich, Germany
Sound-effects, Bonus song for Level 1: "Ibiza Sun"

Efe Tozan, Istanbul, Turkey (Website)
Composition of the songs for Level 2 and 3, 10 and 11

Derek Weiand aka Volition, United States (Website)
Song for Level 6

Finn MK, Ottawa, Canada (Website)
Composition of Bonus Song for Level 1: "Electric Sun"

Contact

Inquiries
jashan@narayana-games.net

Twitter
twitter.com/jashan

Facebook
facebook.com/Holodance

Web
holodance-vr.com